Sanding a wall before painting: choosing the right grit
Sanding a wall before painting is the step most often skipped, yet it is what determines the hold and appearance of your paint. A correctly sanded wall offers the paint a slightly rough, regular surface on which it grips; an unsanded wall, glossy or dusty, makes the paint flake and reveals every defect. The choice of sandpaper grit is the first decision to make. Here is how to sand a wall correctly, without mistakes, with the right grit at each step.
Why sand before painting: the three reasons
- Create adhesion: a glossy or too-smooth surface repels the paint, which then peels
- Flatten the defects: filler joints, spatula marks, old runs and flakes are softened by sanding
- Even out the absorption: a regular surface dries homogeneously, with no matt or glossy areas
A distinction is made between preparation sanding, which removes the bulk and makes the defects disappear, and finish sanding, very light, which will dull a coat of paint or a filler for the next coat. Do not confuse them: sanding too hard on a finish damages the surface, sanding too gently on a filler is useless.
Which grit to choose depending on the support
- Grit 60 to 80: removal of flaked old paints and significant roughness
- Grit 120: roughing of filler joints and small irregularities, the standard choice for a plaster wall
- Grit 180 to 220: finish sanding between two coats of paint or on a smoothed filler
- Grit 240 and above: light dulling of an alkyd paint before a new coat
Dry or wet: making the right choice
Dry sanding (ordinary sandpaper) suits filler and plaster: quick, it produces dust that will need to be removed. Wet sanding (wet-and-dry paper, grit 240 or more) is reserved for finishes on smoothed filler or on glossy paint: it avoids dust and gives a very smooth surface, but requires letting it dry completely before painting. For a standard wall to repaint, dry sanding at grit 120 is enough in the vast majority of cases.
The gear for sanding a wall
- Orbital or belt sander for large flat surfaces (with dust extraction if possible)
- Sanding block or multi-tool sander for the corners and small areas
- Sandpaper sheets of the chosen grits, cut to the size of the block
- FFP2 protective mask: filler and paint dust is very fine and irritating
- Vacuum cleaner with soft brush and microfibre cloth for the final dust removal
- Abrasive sponge for wet finishes
The method: sanding crossways without pressing
- Protect the floor and furniture, mask the skirting boards and door frames
- Start with the damaged areas (flakes, joints) at grit 80 or 120 in circular movements
- Sand the large surfaces at grit 120 in crossed passes (vertical then horizontal) to avoid hollows
- Do not force: let the weight of the tool do the work, excessive pressure digs into the plaster
- Check the flatness with the flat of your hand and the evenness under grazing light
- Finish with a complete dust removal with the vacuum cleaner then a damp cloth, and let it dry
Dust removal, the step everyone forgets
A sanded wall covered in dust will give a pitted, poorly adhering paint. Vacuum the whole surface with a soft brush, then a slightly damp microfibre cloth. Let it dry 30 minutes before applying the primer or paint. If you sand between two coats of paint, remove the dust the same way: it is what avoids the little bubbles and grains under the finish.
The mistakes to avoid
- Sanding without a mask or extraction: filler dust is very fine and irritating
- Pressing hard on the sander, which digs visible hollows under the light
- Sanding in one direction only, which leaves streaks, especially on filler
- Using too coarse a grit on a finished filler: scratches appear under the paint
- Painting immediately after sanding without dusting or letting it dry
Particular cases: glossy paint, wallpaper, damp walls
On an old glossy or satin paint, a simple dulling sand at grit 180 to 220 is enough before the new coat; on wallpaper to be painted, sand very lightly at grit 120 and check the hold of the strips. On a damp wall or with mould stains, above all do not paint before treating the humidity problem at the source: sanding solves nothing and the mould will reappear under the paint. In that case, treat with bleach water, let it dry then sand and apply a suitable primer.
With the right grit and a rigorous method — sanding crossways without pressing, dusting and letting dry — you prepare a wall that will receive its paint in the best conditions. Allow 30 to 45 minutes to sand and dust a 15 m² room, and you will see the difference from the first coat: a uniform surface, free of pinholes and marks, that grips perfectly and lasts over time.